Comic Sandwich by CT Guy

For the sake of time, I'm only going to focus on the first story in the oversized 64 page - Future State: The Next Batman issue #1. As a reader, I needed more set up to care about the new Batman Tim Fox. The character is showing some real promise, but writer John Ridley just threw us into the story which felt more of a tell than a show. I will say there are good points. Ridley wrote some convincing moments with the Bane-litos gang recruiting new members and an interaction between ex-partner street cops. I will also give Ridley credit in that the page count he was working with was dismal. Shame on DC for not at least allowing the writer to develop the full 64 pages for the new Batman.  The drawing was good for this first story. Nick Derington has some really decent pages in here, especially with the action shots. Denington makes consistent use of shadows, which is a must to maintain the look and fee l of Gotham City. Some panels also had a Judge Dredd tone (which is a good thing) mi

Let's just tackle two Spiders with one review. I'm probably never going to abandon the Amazing Spiderman, it was one of the first comics I bought with my own money and I wish I had all of those issues today – such is the life of a collector. Back in the '90s (when I was much younger) I couldn't get enough of all the Spiderman / Ben Reilly 1994 - 1996 clone stories. At the time Mark Bagley designed the Scarlet Spider costume and I vividly remember his style of drawing.  Well, here we are decades later and Bagley is drawing Spiderman again. Bagley's work is consistent but is starting to feel a little outdated, and not in a nostalgic way. I love old Romita Sr, Buscema, and Kirby comics just to name a couple – I'm having a harder time with Bagley this year. An example would be Arthur Adams, even though he seemed a bit snarky to me at a convention I went to, there is no doubt Adams' work is both masterful and has become better with age. Bagley's work feels st

The Immortal Hulk 42 is scratching my comic itches, and it took me a little while to put the elements together. The writing is solid with good dialogue that moves you through the story and keeps a good pace. Al Ewing (the writer) seems to be laying a foundation for the next issue as there wasn't much action in this one, but something interesting is happening with the Jackie McGee character that could make this a Key issue or at least preluding to one in the next couple of months.    The art was slightly mashed as the credits show four artists working on this standard 28-page issue and I think the colorists help hold the line for continuity where the art changes weren't too jarring. The page layouts weren't flashy or minimal (which I appreciate) and the pacing, art, and story have an old school Swamp Thing vibe going on – if you don't know what I mean those earlier Swamp Thing runs are worth a read. I'm not saying this book is the second coming of Alan Moore, but I a

DC Future State: Superman Worlds of War is an oversized 64-page format issue with four stories. I sprung for the cardstock Federici variant cover which ran me about $12 Canadian dollars at a comic shop I frequent. As a collector, it looked like an awesome cover and the oversize format was expensive either way, card stock or not. After a full read-through, I will not be picking up the second issue. This book is a hot mess that went nowhere. All the stories inside were mediocre and it's the equivalent of buying a Spongebob Comic only to realize there is no Sponge or Bob to be seen.  Superman was in a couple of frames and they cut that part of the story off before anything happened. Some of the "Superman" story (if you can even call it that) seemed like social check boxing with snoozy dialogue from characters that appear from nowhere. These characters then pontificate and theorize for multiple pages about Superman's attributes and possible death. I honestly did not want

 Here's a train I'd like to jump on, just to see where it goes. When I heard that Daredevil 25 was out again as a second printing I was intrigued. Daredevil has always been a fascinating character to me, both as a reader and collector. As a collector, second prints in the past were like crushed stale potato chips, first prints are typically where it's at and that usually holds true even now. Something strange has been happening in the already bizarre world of comics though, and my theory is that because second prints are now often released with new cover variants you just can't guarantee which print might fetch the higher price. If a book is hot nowadays it's probably worth picking up the 2nd print, if the cover is a decent variant.  Daredevil 25 2nd Printing (purchased) Daredevil 25's creative team (Chip Zdarsky writing & Marco Checchetto drawing) overall did good work on the issue. The first half of the book had good pacing and had sufficient dialogue and

 For years Darkhorse published Star Wars comics. There were some bright spots here or there in their publishing, but as a whole, I just never connected my Star Wars enthusiasm to the Darkhorse runs. There could have been many things that contributed to that feeling; mediocre art, disjointed writing, inconsistent timelines, or just sub-par editing. I never want to downplay anyone's hard work and making comics can be very labor-intensive if done right.  Darkhorse Star Wars just lacked the excitement and sense of adventure, place, and scope that made the Star Wars films so awesome. There was a different horse before the dark one held the license. Trusty old Marvel comics published Star Wars between 1977 and 1986 and are now publishing the franchise again, re-acquiring the rights in 2015. Here is where my collecting bells go off, and not the bad ones either. When you can crossover the love of comics with the film/TV/action figure bedrock that Star Wars encapsulates it spells out potent